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Tsunami! by Kimiko Kajikawa, illustrated by Ed Young - review

Tsunami! by Kimiko Kajikawa, illustrated by Ed Young
Breathtaking. Pass-around-the-workroom-and-marvel-at-it gorgeous. Intense. Gripping. A terrific story. I seem unable to describe this book except in tiny movie-blurb phrases. It's that good.

Gazing upon the illustrations in Tsunami!, I could feel the thunder of the great wave in my chest. I felt the pressure of the silence before the wave, and I heard its hissing retreat. The two-page spread of the wave hovering over the village is the best work that Ed Young has ever done, and the story is just as strong. He depicts scale so masterfully here - the temple gate, in pieces, tiny against the crashing wave... the villagers so small as to look like confetti on the exposed beach.

I am grateful that the story is set "long ago" in Japan. If this book had been about the more recent tsunami, it would have been too emotionally wrenching for me, and possibly for younger readers too.

Labels: age: adult children, age: Grade1 and up, diverse cultures, picture books, superstar books

Becoming Billie Holiday by Carole Boston Weatherford - review

Becoming Billie Holiday by Carole Boston Weatherford

‘Becoming Billie Holiday’ begins with a quote by Tony Bennett: “When you listen to her, it’s almost like an audio tape of her biography.”

This book could be that biography. Nearly one hundred first-person narrative poems detail Holiday’s life from birth until age 25, the age at which she debuted her signature song “Strange Fruit.” The poems borrow their titles from Holiday’s songs, a brilliant device that provides the reader with a haunting built-in soundtrack.

As in her previous book, ‘Birmingham, 1963,’ Weatherford’s language is straightforward and accessible – almost conversational. She captures Holiday’s jazzy, candid voice so adroitly that at times the poems seem like they could have been lifted wholesale from Holiday’s autobiography, ‘Lady Sings the Blues.’

Floyd Cooper’s sepia-toned, nostalgic mixed-media illustrations provide an emotional counterpoint to the text. Resembling old photographs seen through a lens of aching hindsight, they make explicit the pain that Weatherford studiously avoids giving full voice to in her poems. For, although Holiday’s early life was one of relentless rejection, discrimination, and poverty, the author stays true to her subject, and maintains a resolute and defiant tone, albeit one tinged with regret.

Prostitution, rape, jail time, violence, and minor drug use are described in the book, but it ends on the proverbial high note, before the singer’s drug use, alcoholism, and early death. This captivating book places the reader solidly into Holiday’s world, and is suitable for independent reading as well as a variety of classroom uses.

Labels: biography, black kids, diversity, poetry, superstar books

Chicken cheeks by Michael Ian Black, illustrations by Kevin Hawkes - review

Chicken cheeks by Michael Ian Black, illustrations by Kevin Hawkes
It's a fact, I'm a sucker for the bold, chewy acrylics of Kevin Hawkes. His love of orange and blue is apparently nearly as ardent as mine own. The guy's color contrast always puts me in mind of Maxfield Parrish. And in Chicken cheeks, his slightly just-past-normal expressions and colors are perfectly tuned to the subject matter.

And the subject matter is butts.

Yes, butts. But cute butts, not crass butts. Rhyming, alliterative, clever butts. Sure, it'll have the kids rolling on the floor (because - look - it's butts!) but it won't set parents to wincing, unless said parent is the type that thinks "caboose" as a term for "butt" is offensive. Or "patootie". Myself, I'd be thrilled if my children started using more creative terms, and I didn't have to hear "butt butt butt" all day.

I wonder where they picked that up?

Labels: age: PreK - Grade3, animals, picture books

All in a day by Cynthia Rylant, illustrated by Nikki McClure - review

All in a day by Cynthia Rylant, illustrated by Nikki McClure

I could not help thinking of Jonathan Bean when I took up this book. Nikki McClure's virtuoso cut-paper illustrations resemble woodcuts in much the same way his do, and she too can make a palette of black and white plus one color conjure whatever she wants. Here's the book: a little boy on a farm wanders through his day, climbing trees and watching clouds and whatnot, with measured, gentle text that conveys a peaceful message that you don't get all that often in picture books:

This day will soon be over
and it won't come back again.
So live it well, make it count,
fill it up with you.
The day's all yours, it's waiting now...
See what you can do.

This is maybe not the best quote - the book is not at all dire. I love the images too: chickens and eggs and seeds, birds on the wing. Kind of inspiring, and I'm not just saying that because the children and I planted our peas this week.

Labels: age: PreK - Grade3, picture books

Snow Falling in Spring by Moying Li - review

Snow Falling in Spring by Moying Li
I have to say, I always found the story of Mao's War on Sparrows to be a little far-fetched. Leader of one of the world's largest countries, and he takes aim at... sparrows? Seems a little petty. On the other hand, commanding every man, woman, and child in China to go outside, 24 hours a day, for weeks, and frighten off millions of tiny birds so that they have nowhere to land and drop dead out of sheer exhaustion? Inconceivably arrogant. Almost an arbitrary exercise of power. Also, I know it was 1958, but surely somebody must have realized that eliminating such a widespread species might have complicated consequences.

All in all, it sounds exactly like the kind of thing some short-sighted, delusional monarch might decree in a fairy tale.

I recently read about it in Sparrow Girl, a picture book set during the Cultural Revolution, written by The Talented Sara Pennypacker (the Clementine books, Pierre In Love) and illustrated by the likewise talented Yoko Tanaka. A little girl rescues a few sparrows from the Sparrow War and keeps them in her family's barn. In spring, when it becomes apparent that the absence of sparrows has caused a proportional increase in the insect population, and crops all across China are being ravaged because of this, she releases the last sparrows in all of China, and there is hope.

It's a lovely book and a sweet story, but it reinforced my "Naw... really? Oh come on," attitude about this event.

But I think Moying Li's memoir (the book I'm actually reviewing), subtitled "Coming of age in China during the Cultural Revolution," finally has me convinced.

And so, day after day we watched the battle unfold as vigilant Beijingers stood their ground. Then, suddenly, sparrows started to fall from the sky, utterly exhausted. Soon there were hardly any left. At dinner one evening, flushed with pride as he waved a copy of the People's Daily, Baba announced that in our city alone we had eradicated over 400,000 sparrows!

Moying Li takes us along as, step by step, her country moves from the excitement and hope that accompanied The Great Leap Forward to the paranoia, zealotry and despair of the Cultural Revolution. Her family goes hungry, is split up, endures denunciation, but ultimately survives and moves forward. The kindness and loyalty that she encountered during these years brought tears to my eyes as I read.

The pace never falters in this gripping memoir. Not too demanding, the book includes some photographs and a helpful glossary (which would have been enhanced by pronunciations - my favorite axe to grind), and would be a spectacular class read, in addition to being a great leisure read.

Labels: age: Grade5 and up, biography, diverse cultures, history, superstar books, YA

A Penguin Story by Antoinette Portis - review

A Penguin Story by Antoinette Portis
Edna's whole world is white and black and blue, and she yearns for something else.

"'There is white ice for sliding,' says Edna. 'There is black night for seeing stars. There is blue sea for hunting fish. But there must be something else.'"

She is not Lost, or gay, or afraid to swim, or an unusual color (Not that I am saying there are too many penguin books out there - hey man you can NEVER have too many penguin books. Penguins are perfect for picture books - they are graphically interesting and inherently funny. My dad says they're pesty, but more on that later. I think they're funny - they waddle.)

I could quibble and say that Edna, living as she does in an environment wholly populated by carnivores, is surely acquainted with the color red, in addition to white, black, and blue, but really, how is Antoinette Portis going to work that in? "There is red blood when the seals come to visit." Yeah, no.

So anyway, Edna goes looking. And do you know what she finds? MY DAD, circa 1963! (or my uncle, circa 1961-1963, or my brother in 2001) Edna stumbles upon a detachment of scientists from USAP (formerly the United States Antarctic Research Program), who have been wearing the same shade of orange (cosmonaut orange, for high visibility on the ice) for more than fifty years.

Oh, wait, you wanted to know about the book? Well come on, it's Antoinette Portis. Not a Box is one of the most genius kid books of ALL TIME, and A Penguin Story is both different - doesn't have that empowering kid-is-the-one-who-gets-to-say-no thing going on - and the same - same terrific, simple drawings, excellent use of a limited color palette. Also, one strong, determined, curious, creative kid with a lot going on upstairs.

Further endorsement: immediately after reading A Penguin Story, the men in my family (aged 5, 7, and 44; none of whom have been to Antarctica - yet) grabbed the sidewalk chalk and drew portraits of Edna on our front walk. See if you can guess which man drew which picture:

Labels: age: PreK - Grade3, animals, picture books, superstar books

Into the Volcano by Don Wood - review

Into the Volcano by Don Wood

Into the Volcano is an intense mystery-adventure coming-of-age chapter book in comic book style - something of a departure for Don Wood, the illustrator of such picture books as Piggies and The Napping House.

Two brothers, Duffy and Sumo, visit their mysterious aunt in Hawaii, who sends them off on a perilous expedition into the bowels of an erupting volcano, accompanied by strangers whose skills are obvious, but whose trustworthiness is not.

The dangers faced by the boys are terrifying, especially an interlude during which Sumo, wracked by guilt and indecision after he thinks his brother has fallen to his death, is trapped in the dark on an underground cliff, and is visited by the specter of Death. That the children have been exposed to such peril knowingly by the adult who has been entrusted with their care is a dark vein running through the story.

A prose book with this content would probably be suitable for children in grades 3 to 5, and in fact, Sumo and Duffy appear to be no older than nine or ten, but Wood’s artwork brings the perils they face into startling focus, making the book more suitable for grades 5 to 7.

Keenly observed depictions of the Hawaiian landscape and geological processes lend an impressive veracity to this exciting and unusual offering; Into the Volcano is a rare example of a graphic novel for young people that is neither manga nor mainstream.

Labels: adventure, age: Grade5 and up, boy books, diverse cultures, graphic novels

Sheep Blast Off! by Nancy Shaw, illustrated by Margot Apple - review