I am on a significant roll with my YA and adult reading lately. When's the last time you could say that? When's the last time every book you picked up knocked you on your butt and made you holler on Facebook or DM the author or, in once case because I don't have any access to the author - yell at the author's agent about how good the book was? I mean, who knows agents?
Apparently, I do.
Each and every one of these books deserves a thoughtful in-depth review. And I expect we will see those reviews in the New York Times or Kirkus or the Guardian or somewhere else that hasn't yet employed me to write book reviews. From me, you're just gonna get a list and a couple paragraphs. Pollen. Makes me stupid. So here you go (in ascending order by audience):
In her author's note, E. K. Johnston admits straight out that she wrote this book while very, very angry. I bet she did. This is a fucking great novel.
Exit, Pursued by a Bear is about a teenage rape survivor. Hermione, a popular athlete - co-captain of her cheerleading team - is drugged, raped, and left half-submerged in a lake. She cannot remember the crime or identify her attacker. She is angry, hurt, and sad, but she and her team and her family tackle each step of her recovery process with courage, love, and determination.
And there you have the bare bones of your standard-issue Problem Novel, during the course of which we will watch our heroine struggle bravely to regain her confidence, conquer her self-doubt, and perhaps find love. Excuse me while I never ever read a book like that again. Maybe, because Emily Johnston has written this book, I never have to.
Because Hermione does NOT struggle with self-doubt. She is quite clear that the only person to blame here is the guy who attacked her, and if she even momentarily loses her clarity on that score, her best friend Polly is burning with fury at her side, ready to remind her. Nor does Hermione have to deal with parental shellshock or smothering. Hermione's team rallies around her - even the boys try to act normal, with mostly pathetic results (ehh, boys). When she slaps her ex-boyfriend, whose stance is that "she'd have been safe if she'd been dancing with me," her therapist is eager to hear how hard. And when Hermione stops in to see the pastor to ask him to stop reminding the congregation to remember her in their prayers - she does not WANT to be Hermione the Rape Victim and who can blame her - the pastor looks her in the eye with compassion but not pity.
Everyone holds their breath when she has to endure examinations, pregnancy tests, and a termination procedure, but they never once utter the word "options" - which Hermione notices with gratitude.
Exit, Pursued by a Bear is a freaking casebook of How to Think and Do when dealing with a victim of sexual assault.
And in the hands of a lesser writer, this might result in tedium or sanctimony. It might at least be distracting. I think we've all seen movies like that - cancer movies especially perhaps. Debra Winger spewing love and forgiveness from her hospital bed in Terms of Endearment, Susan Sarandon nobly handing over the reins to Julia Roberts in Stepmom.
But bless her, E.K. Johnston (author of The Story of Owen, which is my sons' hands-down favorite book of all time right now, and in my own top ten) is NOT a lesser writer. I read this book in three hours, propelled onward by characters I loved and who loved each other. It is marketed as a cross between Veronica Mars and A Winter's Tale, but honestly I saw more Jessica Jones in it than Mars - Hermione faces her trauma with some of Jessica's belligerence (but none of her bourbon), and the friendship between Hermione and Polly is just as rock-solid as Jessica's relationship with Trish. Remember, at the end of the series, the big climax is Jessica telling her best friend that she loves her? Same thing here. "I love you." "I know."
I imagine that Emily Johnston wrote this book after seeing yet another young rape victim publicly blamed for the crime perpetrated against her. I imagine that she sat down, all gritted teeth and flared nostrils and hair on fire, and wrote this book for all those girls, to show them that SOMEBODY knows the right way to treat them, to talk to them and about them. And if that's what we need, if we, as parents, faculty, friends, cops, teammates need a template for how to respond in a situation we hope no woman ever has to endure, well, now we have it. Lucky for us it's a compulsive, easy read, because I'm hoping it gets assigned in about a million advisories, homerooms, and health classes.
Look for this stellar work of realistic fiction in March, 2016.
Sometimes we read books, sometimes they're just scenery.
Opened my email this morning to find an unusual year-end list from Kirkus: the Most Overlooked Books of 2015. I like that. That list made me think.
Usually this time of year I have no time for thinking. Even as the holiday BS is winding down, I'm usually busy reading hard and arguing loudly as a judge in the Cybils Awards. The Cybils are publicly nominated, with the finalists and winner agreed upon by a panel of judges. Finalists are announced January 1st, and the winners are announced on Valentine's Day - put it in your calendar. I'm not a judge this year though, so I get to sit back and spectate and read all the lists.
Because in addition to the Cybils, state lists and year-end best lists are proliferating like glitter under a craft table, all leading up to the big announcements of the Newbery/Caldecott/Printz/etc awards at the ALA Midwinter meeting January 11 (8am, in case you want to tune in for the live feed). The Nerdy Book Clubawards have just been announced, and I love the Nerdies. Rather than a WINNER and a list of runners-up, the Nerdies publish lists of 10-30 books. Books are nominated via the website, a committee decides the finalists, and then the finalists are publicly voted upon. I love the thoughtful ways that the Nerdies, the Cybils, and some state lists (including the Maryland Black Eyed Susan, which I am on this year) try to ensure balance between the opinions of professional and general readers.
Cece Bell, Jackie Woodson, Dan Santat and Yuyi Morales at the ALA Annual Conference, June 2015. It was a very good year for the ALA Youth Media Awards.
To be perfectly frank, however, I do not like awards. Too much of a democrat, I guess. I do not feel that books compete against each other, and I firmly believe that almost every book has its audience, even deeply flawed books. HOWEVER, it is impossible not to be conscious of the fact that, of all the consequences of a book getting an award, the largest one by far is the award's effect on the book's sales - general sales for sure, but school library sales in particular.
Purchasing for a school library is hard. I loved doing it when I did it, but I do not miss all the blood that ended up on the floor when I had to pare my lists down. And I am fortunate that I never had to justify my purchase decisions like so many librarians do. Awards, stars, and reviews in major publications are in some systems a requirement in order for a school librarian to purchase a title for his or her kids. And to that may I just say UGH.
Because, hard as award committees all work to consider all books, some great books, especially slightly off-kilter books - still manage to fly under the radar. Fun fact: not one of Nathan Hale's Hazardous Tales has won a major Youth Media Award or Honor. And let me tell you - Nate's books are far from off-kilter. Every one of Nate's informative and entertaining nonfiction graphic novels should be in every school library in the nation.
So, I were still buying for a school library, I'd start with the Cybils finalists and the Nerdy winners - not only are those lists longer than the National Book Award finalists and the ALA Award Honorees, but I find them to be more focused on kid appeal. Then I'd compare my working list to this spreadsheet compiled by EarlyWord, which aggregates the Year's Best lists published by Amazon, Booklist, Entertainment Weekly (which is - perhaps surprisingly - a reliable source of good critical reviews), Hornbook, HuffPo, WaPo, NYT, SLJ, WSJ (eff you Megan Cox Gurdon), Library Reads, Publishers Weekly, the National Book Awards, and TIME magazine, who should either get better staff on this or just quit it.
But I would still be missing some great stuff, and that's where this Kirkus Overlooked Books list comes in. It's not long enough though, covering as it does titles for all ages (including Scarlett Undercover, a debut novel that I started but put down for some reason, and am picking up again on their recommendation). So I've taken a nostalgic scroll through my 2015 Goodreads shelves and here for you are my own picks for Best Overlooked Books of 2015:
I don't want to sell anything, buy anything, or process anything as a career. I don't want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed... -- Lloyd Dobler, Say Anything
It's not just me, is it? Faced with the task of buying one or more THINGS per family member or dear friend - determining what that THING shall be, finding it, pricing it, procuring, storing, sometimes hiding it, then processing it via gift wrap and tags - doesn't everyone get a little Doblery? After all, he gives her his heart - something he had to neither shop for nor wrap. She gave him a pen.
But, for better or for worse, we're giving gifts. And you know what will make you feel a little better about participating in this annual collective shuffling of goods bought sold and processed? If those goods are actually, you know, GOOD. Like books.
Let me be right up front about something: I couldn't wait to read this book.
There aren't a whole ton of people writing literature - Literature with a capital L - for teens these days, and even fewer that I can stand to read. Not because they're bad, not at all - but because the truth of teens is so hard. If you write it well, it's going to hurt.
Everybody Sees the Ants hurt. Reality Boy, that too. But after reading Glory O'Brien's History of the Future, which had pain but also love and humor and that whole thing where you hate your best friend - well, there was no way I was not going to hit that pipe again just as soon as possible. I got a copy of I Crawl Through It at this year's School Library Journal Day of Dialog, and I started it on the subway back to the hotel.
Sometimes my children like a book. Ok, if you are at all familiar with my two sons you might be rolling your eyes right now. Yes, Milo and Ezra are enthusiastic readers. But that doesn't actually mean that they just loooove all books. The fact is that they, like most enthusiastic readers, have developed into fairly critical readers as well.
They'll race through a book and then when you ask about it, say, "Ehh." That's good intel. I need to know that. It doesn't do to falsely praise a book to a kid.
I won't give an ehhh book to a picky reader. I might give an ehhh book to an avid reader, especially if she is impatiently waiting for a favorite to come in. In that case I am happy to say, "Listen, can I give you something to read until the next Artemis Fowl/Cupcake Diaries/Origami Yoda gets here? Here's something that will tide you over. It's ok. It's exciting enough, but it may not knock your socks off."
And she'll respect you for it - they can't all blow you away, and you're not doing anybody any favors by pretending otherwise. Especially not a kid who reads two or three books a week.
The ALA Youth Media Awards were just announced about an hour ago. These honors are awarded by committees of librarians who read, evaluate, and discuss approximately a femto-jillion books in a year and decide which book in a given category is THE BEST of the year and which few are THE RUNNERS UP.
I generally don't comment on these awards on this blog because, like any other award, calling any given anything THE BEST in a year is ridiculous. YOU ARE THE BEST TOMATO. WORLD'S BEST JOKE 2014 IS WHAT EDDIE IZZARD SAID ON TWITTER NOVEMBER 13th. THE AWARD FOR BEST LEFT BOOB OF 2015 GOES TO KATY PERRY'S LEFT BOOB.
I also have found these awards to be kind of stuck in the mud. Historical fiction or relationship drama tends to get recognized while funny books are disregarded. Lotta "girl books" have gotten the Newbery, while the Caldecott has gone to a disproportionate number of men. Creators of color are under-represented, as they are in all of children's publishing, except in the awards that are specifically given to African American or Latino authors and illustrators, which often go to the same squad of (very talented and totally deserving) people every year.
This is what's wrong with me. This is what's very very WROOONNG with me - and that was Bill Murray in Stripes in case you missed the reference ("We're ten and one!") (Not anymore, brother).
I have been neglecting the crap out of Pink Me for MONTHS because I've started reviewing for Booklist Online and those guys send me I swear 5 books a month. And not five 32-page picture books, although sometimes yeah I get picture books. No. I get five NOVELS. Five middle-grade books about burping and zombie pets. Five YA sci-fi barnburners. Shit involving fairies.
And some decent stuff, for sure.
Plus I've been neglecting Pink Me because I am churning through as much YA horror as I can stomach. Funny horror, ghostie horror, horror that turns out to not be terribly scary after all. Lotsa horror. I'm doing this because my colleague Paula and I are giving a talk, called "Something Wicked This Way Comes of Age" (Paula's title and is that good or what?!), at the YA Lit Symposium in Austin next fall.
It can't be easy, right? Writing a cookbook for kids? I mean, if you're writing a cookbook, that means you are a good cook. You know your asparagus from your elbow macaroni, if you know what I mean. And here you are writing instructions for people who don't know what the salt looks like when you tell them to get it out of the cupboard.
IT'S THE BLUE CYLINDRICAL CONTAINER. CYLINDER. YOU KNOW, ROUND LIKE A... oh Christ I'll get it. SEE? THIS IS SALT.
In recent years, YA trends have come on about as subtly as a brick tornado. Vampires. Zombie plagues. Fairy tales. Mermaids, oh god the mermaids. Last year it was cancer. And you'd think, if I took a mermaid trend in stride, I would not be surprised by the sudden appearance of dragons in contemporary YA fiction. I'd be like, "Aw come on guys - it's all dragons nowadays!" But there I was, five pages into Talker 25, going "What the...? It's dragons?"
I think it's because they're just so doofy. Right? Giant lizards with wings? What is that - half dinosaur, half... fairy? How are you going to fit that into a world? Literally - how are you going to fit that creature into a world filled with humans?
Then there's the stigma that goes along with being the dragon-obsessed girl. If you're not careful, your dragon novel will make you look like the kind of girl who goes as Daenarys Targaryen for Halloween. (OR TO HER WEDDING OH GOD MY EYES)
I have never been very good at all that best / best of / ten best BS. My little mind has trouble finding a common metric between different books. How can you say whether the silly and charming linear narrative of Sophie's Squash is "better" or "worse" than - for example - the dreamlike, lyrical Red Knit Cap Girl to the Rescue?
Naoko Stoop paints on plywood.
Anne Wilsdorf's lively ink and watercolor art.
Which illustrations are better? DOES NOT COMPUTE.
I try, though - as previously mentioned, I'm a first-round Cybils judge and I will help pick a shortlist of the best picture books of the year, but oh I am so glad I'm not in the group that has to narrow it down to one.
Instead, I thought I'd run down the reading experiences that made the deepest impressions on me this year. GOOD and BAD. GET READY.
Dot, Clem, Ozzie, Ollie, Maya, Nalah, Loula, and Ripple. Henry, Dorothy, Francis, Betsy, Willow, Jemmy Button and Anna Hibiscus. Plus French film icon Jacques Tati and former Vikings defensive end Alan Page.
These are my new best friends. And they are just a very few of the main characters of picture books nominated for Best Picture Book in the Cybils Awards. Go on, take a peek at the nominations list. Wow, right?
It's a diverse bunch of folks - there's a dolphin, a dog, foxes, monsters, princesses, squirrels and more than one bunny. Loula is French, Noah and Na'amah are South Asian in The Enduring Ark, the Lucky Ducklings live in Montauk, the Tiny King is Japanese, and Anna Hibiscus lives in "Africa, amazing Africa." Jemmy Button was real. Mr. Hulot was the fictional alter ego of the real actor Jacques Tati.
There's a lot of horror running around loose on the streets these days. It's a trend. Brainless monsters, mad government scientists, possessed townsfolk and crafty killers lurk in the alleys and infest the woods by the side of the highways. Yep, it's a stimulating time to be a teen reader.
Until fairly recently, horror had been in kind of a slump. Horror had a big day back in, hm, the late 70's, early 80's. Throughout the 80's, the Halloween movies were in theaters and Stephen King was putting out two books a year.
In 1978, I was pretty sure this cover showed Luke Skywalker battling the black spy from Spy vs. Spy.
By the 1990's though, we were out of the funhouse, laughing at the cheesy effects and accusing each other: "You were scared!" "No I wasn't, that was stupid!" By 1990, horror had become so familiar that it had devolved into camp (Tremors), or kid stuff (Teenage Mutant Ninja Turtles), or mere eerieness (Edward Scissorhands). By the mid-90's, Danielle Steel and John Grisham had taken over Stephen King's dominance of the best seller lists. As recently as 2007, none of the major publishing houses had horror imprints.
But, like an oily slime seeping up from the depths of a dark bayou, horror is somehow once again everywhere, a foul slick coating the surface of popular culture. Simon & Schuster just started up a horror imprint. American Horror Story and The Walking Dead are killing it on TV. Danny Torrance is back. And I have more and more kids at the library daring me to scare them. Kids that have blazed through Goosebumps, sampled the Weenies, and are looking for something as scary as Horowitz Horror - but longer.
...which is my way of saying oh my life - and my reading - has been HELTER-SKELTER for the past couple of months. Here's why - allow me to solicit your interest in some excellent upcoming events and ongoing projects:
2). I'm a facilitator at Enoch Pratt Free Library's biannual teen reading fest Books for the Beast (join us!). It's an all-day event (free lunch!) October 19th with super speakers and small group discussions. This year, we will be joined by RAINA TELGEMEIER! SHARON FLAKE! and ROBIN WASSERMAN!!
I want to read The Waking Dark so badly, but I have so much required reading right now, it's silly. You however should read that book, and then come to Books for the Beast and tell Robin Wasserman what you thought of it! It's supposed to be scaaaary!
3). I'm moderating the Sassy Girls panel at the Baltimore Book Festival September 29 (and this one you better get to, if you are my friend at all). My sassy authors (I wonder if any of them are old enough to remember Sassy? Did you know that some marvelous hipster angel is scanning all of her old Sassys and putting them online? Damn, I still dress like that half the time) anyway my sassy authors are:
Tracey West (about a million adaptation and series novels, also co-author of the very sweet Cupcake Diaries books)
4). Just announced! I'm a first-round judge for the Picture Books category of the Cybils Awards! Bring it on picture books YEAAAAHHH! Nominations are open to the public, and the online form will be up October 1!
All this extracurricular activity has led to periods of binge reading during the last few months: graphic novels, funny realistic YA fiction, heartbreaking YA fiction, and rock'em sock'em middle grade/YA speculative fiction. Plus picture books, I'm always reading the picture books, but those I manage to run down in gang posts on Pink Me fairly regularly.
Nobody gonna take my car I'm gonna race it to the ground
Oooh it's a killing machine It's got everything Like a driving power big fat tyres And everything
I love it I need it I bleed it yeah it's a wild hurricane Alright hold tight I'm a highway star!
God I love Deep Purple. Am I the only one anymore? To me, Deep Purple is the seminal sound of teenhood. It's music you listen to in stale basement rec rooms - mindless and churning, full of movement but not getting anywhere. The long-haired, cigarette-smoking boys who hung in a greasy cluster outside the bus port door at my junior high school LIVED and DIED by Ritchie Blackmore. Sigh. Those boys smelled so bad.
Summer Reading season is just about drawing to a close at the ol' public library. For the past month we've been dredging up copies of Beloved and Animal Farm. We've scurried around looking for Trash, The Book Thief, and The Boy Who Harnessed the Wind for po-faced youngsters who absolutely can't stand the idea of summer homework. I often try to sweeten the visit (thanks teachers for making a visit to the library a chore!) by offering the kid an additional, just-for-fun book.
Summer is the time for kids to remember that reading is an entertaining activity. With my psychic powers, I will beam that into the brain of every English department head in the country. Right now. Ow. Ok, I'll rest up and do it next spring.
So... this young Joe comes in the library last night looking for A Tale of Two Cities. I look at the calendar. "When does school start?" I ask with a wince. "Monday," he grunts. I am sympathetic, but his mom gives me this "Mmm-hmm" look that I treasure. I love being old enough to be complicit with moms. Of course, he is to have it read by the time school starts, and of course, he has been reading The Maze Runner trilogy all summer instead.
Not really. Nobody sings. Well, they sing, but it's not... Oh just watch it.
I know what you're thinking. "Oh, sure, she's always complaining she has no time to read, but she'll spend most of Memorial Day weekend - when she should be barbecuing or binge-watching Arrested Development (Fun fact: I have never watched Arrested Development!) clipping video."
It's true. But I can't help it. I love making videos with my kids. And this one was inspired by the forthcoming Battle Bunnyby Jon Scieszka and Mac Barnett, pictures by Matthew Myers.
Actually, I was just looking for an excuse to dress Ezra up in an Afro wig and a pink bed jacket. If you look closely, that's the same jacket Miss Volker wore in our production of Dead End in Norvelt. Jack Gantos was a good sport about our massacre of his Newbery Award-winning book, hope Mac & Jon don't get too mad at us for blowing their framing device.
I know it's a losing battle, keeping the place in some kind of tidy shape, and it's certainly not all the fault of my kids. The books, lord the books. But sometimes I am just in a GET IT ALL OUT OF HERE mood, and such is the mood that descended tonight.
I haven't had the time to read hardly anything lately, so as we picked up books and shelved them or put them in the Back to the Library bag, I got Milo (11) and Ezra (nearly 10) to talk about the books they've read.
Ezra: Battle Bunny is the result of a ten year old who just watched a whole lot of apocalypse movies making his mark on a cute little Birthday Bunny tale. It's terrifically funny - there's a picture on Battle Bunny's wall that shows a bunny mama leaning over a bunny baby and the ten-year-old added the words "Drink your poison."
NB: The overstimulated ten-year-olds actually responsible for Battle Bunny are Jon Scieszka and Mac Barnett, with illustrations by Matthew Myers...
You might think, if you know me from reading Pink Me, that I am a children's or teen librarian. I'm not - at my system we are all generalists. So while I love fixing kids up with great books, the fact is I also enjoy helping grownups. I spend most of my time drumming up copies of just the right David Baldacci, or helping readers find Amish romance novels and car repair manuals.
I am sorry that Teddy Steinkellner was dumped in a trashcan in middle school. Truly I am. Nobody deserves to be humiliated like that, and I hope the boys who did it look back on that episode and feel gut-wrenching, ball-twisting shame. I hope they grow up and have children and experience the fear that some little pack of fourteen-year-old pricks is going to do something like that to one of their kids.
And I have to praise a book about middle school that gives us an episode of upside-down in a garbage can. The clarity of the prose, the observational exactness as the garbage juice trickles into the boy's hair - it is necessary to hear this. If it happened, and especially if it is likely to happen again, we need to know what it is like. It's a little like climbing Everest - if a person has been there, they owe it to the rest of us to tell us what it's like.
Unbored is a pretty great book - it has about a million unexpected and funky things for a kid to do: DIY Fiction! Farting Games! Make a Cigar Box Guitar! and it sits on our shelf until somebody pulls it out and has a little fun with it and then puts it back where it'll sit for another 6 months. That book makes a great gift (although if there's a second edition, I'd recommend the illustrations to be a little less hipster/retro. If it were me, I'd get Stephen Gilpin to do 'em. And I might spring for color.).
Anyway, tonight Bob found this page of questions from the 1922 Stanford Achievement Test, and just for fun started reading them out loud. I am always pretty amazed at the random stuff my kids know, and tonight I just had to ask - how do you know that?
So here's a sample of the questions from page 202 of Unbored, and how my kids knew the answers. VERRRY interesting, and a huge validation of leisure reading.
I am a lucky woman. By almost any metric, that's me, Lady Lucky. I can walk under ladders.
One of the ways in which I am lucky is that there are about five authors out there whose work is just exactly what I want to read. I can go to those authors and always always be surprised and moved. Gibson. Liz Jensen. Nick Harkaway. Charlie Higson. Ian Fleming (but that's more of a sick obsession). And by "always always" I mean - no duds. No books that make me go "ehhh." Neal Stephenson for example. Love everything he's written either side of the Baroque Trilogy, but those three books made my eyes roll back into my head, and so he doesn't make this list.
What I'm getting at - obviously - is that Adam Rex does. I don't know what is similar in our backgrounds or genetics or whatever, but his imagination travels paths that seem enticing and familiar to me - as if they are paths that I glimpsed once from a passing car and wished I had the time to detour into. His humor makes me laugh out loud on trains and in bars.
Which is why I can't review his latest book, Unlucky Charms, the second in The Cold Cereal Saga. This author speaks so clearly to me that I can't tell how he sounds to other people. I can't be objective while I'm giggling out my nose. Luckily, I have a couple of clear-eyed readers in my house who can be relied upon to give you the what when I can't. Here's Milo:
Now, I admit I read the ARC of Unlucky Charms as soon as I snagged it at ALA Midwinter, and I admit I was going to pass it to Milo as soon as I got home, and I further admit than when this hardcover came in the mail - pretty much before I got home, thank you someone at Harper! - Milo grabbed at it as if he were a magnet and it was made of paperclips, but let me tell you, Milo is not a man who will allow preconceptions to influence his appreciation of a book.
So when he tells you it is funny and brave and awesome - you better believe it.
Available Feb 5.
From Unlucky Charms by Adam Rex - Marcos Horchata reporting
PS: Good lord I have written yet ANOTHER review of something involving Adam Rex in which I forgot to mention the art! How do I keep doing that? Adam Rex is supernaturally talented as an artist. His illustrations are the kind that kids pore over, looking for clues, soaking up the visual realization of scenes they have already mentally assembled from the author's words.
They exhibit charm, draftsmanship, and a particular genius for realistic expression, facilitated I believe by his habit of sculpting little heads and using them as models. I like to think he mounts those heads on tiny plaques and hangs them on the wall when he's finished - a miniature hall of horrors. Maybe he talks to them, they're like a Greek chorus when he's stuck on a drawing. "Make him fatter," grunts Frankenstein. "With bigger eyebrows!" yells Grandpa Ned. "What is that sweater about?" snipes Barnett.
This art, by the way, is not something I am worried I'm biased about. I know art, and I'll borrow a technical term from art criticism here and call it GOOD. It's GOOD ART.
Buy this book, buy all his previous books. Support him so that he can keep feeding my habit, and I swear you will thank me for it.
Crash your car miles from nowhere on Nevada's Route 375, aka Extraterrestrial Highway, after a series of strange events have led to airplane crashes and highway closures, and what do you expect? Recover from life-threatening injuries only to be handed a non-disclosure agreement and be escorted home by two agents in black suits... oh yeah, this can't be good.
What happened to debate partners Reese and David in the month following inexplicable bird attacks that shut down the nation's air traffic? How have they recuperated so quickly from their crash? And what's with the strange vertigo that Reese feels whenever she touches David, or her mom, or even total strangers? Then there's the free-spirited pink-haired girl to whom Reese is irresistibly attracted. Well, ok that part is completely understandable ;)
Malinda Lo sets up an intriguing situation for her appealing, believable characters, and does a particularly nice job communicating Reese's discomfort as the unusual things she experiences and observes after she attempts to resume her normal life in San Francisco grate against everything she knows. The book loses some steam in the last third, as other characters drop away and we are back to just Reese and David, but by then it is too late for the reader - how's it going to end?
Suspenseful, girl-powered, contemporary science fiction full of realistically diverse characters making realistic contemporary use of technology. Plus hot kissing! Hard to resist.
Adapted from a review originally published in VOYA.
Come for the freaky pictures, stay for the entertaining text. Boy, if I could give aspiring nonfiction writers one piece of advice, it would be - try to make a book that I can recommend to kids using that sentence. Although I guess it doesn't work for like, presidential biographies. Freaky pictures of presidents are rarely appropriate for kids.
Pink Me can't resist a funny man. It's true - you can show me your muscular prose, your scenes of wooing and swooning, but when a writer rips out something that makes me laugh out loud, well then, you can cancel my appointments for the next few days.
That is how, even though I have always foresworn the Blog Tour thing, I am a stop on Ellis Weiner's Blog Tour. Ellis Weiner is funny. His first book for children, The Templeton Twins Have an Idea: Book One, has made the rounds in my house (I read it, both boys have, it tops one of the stacks on our coffee table in the current banner photo, and our copy currently resides on my husband's bedside shelf alongside multiple back issues of The Economist (I assume for bedtime readalouds to the kids but after all I don't know what happens around here when I have second shift at the library)), and made each of us giggle. Why haven't I reviewed it? See about a dozen previous posts subtitled OH WOE I AM OVERCOMMITTED and GAH! LIFE!
Also, Ellis Weiner is from Baltimore, and my friend Eerily Similar Paula and I have been nagging the crap out of him to come home and visit our libraries and schools. So when I had the chance to solicit a guest post, I asked him to reminisce about growing up here.
Here's something I would not have expected, certainly not on a night when I have a deadline looming on another project - I opened the mail after work and found a copy of this fat book, the first print product of Tavi Gevinson, aka The Style Rookie, and I opened it up and read the first couple of pages... and then I read the whole thing straight through for like five hours.
Tavi - don't you know who Tavi is? Tavi is this wonder-child. Only 16 years old now, she started blogging about style and fashion when she was like eleven and quickly became a fashion world darling. She wore her hair in a faded blue-gray bob, sometimes with a giant bow. She was, by all accounts, enthusiastic and questioning, eager to learn, a total fashion fan, but always with a point of view. I never read The Style Rookie, though. Really, I spend so much time keeping up with children's lit, all I have time for is Go Fug Yourself and sometimes Lainey.
It's not all that often somebody tries to write a sequel to a classic like this. It's a really big risk - tough to avoid looking like you're just totally crassly trying to cash in on the love and affection for the original book... or else you just look like you're writing fanfic. I'm sure there are any number of "Arwen and Aragorn's Honeymoon" manuscripts languishing in the depths of your laptop's hard drive. And rightly so. Do not print that thing out. Ever.
I lead a pretty prosaic life. The biggest, hairiest, most mysterious creature in my life (no cracks about library customers, please, esteemed co-workers!) is our big orange cat, Babe. Named for Babe the Blue Ox, not Babe Didrickson Zaharias or Babe the Gallant Pig. But as mystifying as Babe's behavior sometimes is, he is depressingly accessible. He's no cryptid, in other words.
And sometimes you just need a little mystery. Ergo, Bigfoot...
So Ashley Spires put out this absolutely cute picture book a couple months ago, Larf, that is all about being alone - and that's ok - and reaching out to someone - which is also ok - but being nervous about it - understandable, and also ok - but then meeting someone nice anyway. Which is way ok.
Love Larf. Love Ashley Spires! Ashley Spires, in case you didn't realize, which I didn't, is the person responsible for that farting dreamer of a housecat, Binky (Binky the Space Cat). Every one of those books is a charmer, as is Larf. Larf is, contrary to what I think are most people's expectations about Sasquatches, rather a neat person. He folds his laundry and washes his dishes after he uses them. He wears a neat red scarf. He lives alone but he's not lonely. Not super lonely anyway.
The mountain range of books on our coffee table is a constantly shifting pile of bait for my boys. I bring books home from the library every day that I work - sometimes they place requests, but more often I just snag books that I think they'll like or that I am interested in looking at for this blog. The "leave it out casually and they will pick it up" strategy has been praised by many parents, and even endorsed by Judy Blume, and I can vouch for it as well.
Not so say there haven't been some hiccups, as when I found ten-year-old Milo reading Railsea by China Miéville, which I had pretty much brought home for myself. He is also a big David Macinnis Gill fan now, thanks to this practice.
Don't call me lazy. No, man, really you can't. I have been reading nonstop - just, I have other obligations, and the books I am reading are not for Pink Me. (Except for Necromancing the Stoneby Lish McBride, oh andThe Drowned Cities by Paolo Bacigalupi, and Sons of the 613 by Mike Rubens - I've read those recently, I just don't have time to review them! Aagh! They're all great? Can I just say that for now? I promise there will be reviews later.)
Also, they all have great covers:
So, in the interest of actually performing some sort of informational service, which is all I've ever tried to do (insert pious expression and posture here), I brought out the Flip camera and asked my boys about the books on my coffee table. My boys are, after all, the target audience. And they read, oh Jesus they read like crazy!
Here's the big pile of books and an introduction to my reviewers:
Grace is feeling kind of out of place at her new high school in San Francisco. Newly arrived from a small town, she is hoping to find a friend.
Tough Gretchen has no need or desire for friends.
And snooty rich girl Greer doesn't have friends so much as she has acolytes, minions, and social rivals.
What do these three have in common? Besides first names that start with G? Well, they were all adopted, for one thing... and since this is a teen novel, you might as well guess: they're long-lost triplets. Not just any triplets, either. Descendants of a mythological monster slayer, they have a duty and abilities and there's a prophecy and all of a sudden Grace's GPA is in danger and Greer's Stella McCartney top is going to get mussed.
Part Percy Jackson, part Beverly Hills 90210 - with an acknowledged debt to Buffy the Vampire Slayer (Grace has moved to San Francisco from a small town called Orangevale, where she attended a two-story school with stucco-covered walls), this is good fun, marred somewhat by writing that hammers home every expressive nuance ("'What are you doing here?' she demands, clearly unhappy to see me.")
Boy characters are amusingly decorative - entering the action with portentious fanfare, all eyelashes and biceps, only to disappear for long stretches with nary a ripple, reappearing - or not - several chapters later. Although they may have some role in later books, in Sweet Venom they appear to be nothing more than gratuitous romantic interest. A not-too-serious paranormal action novel along the lines of the Maggie Quinn, Girl vs. Evil books.
Adapted from a review originally published in VOYA.
Ah, spring! My neighborhood is foaming over with dogwood and azalea, sketched pink scribbles of redbud branches and nodding lilac. Driving the kids to school is like a trip through some wretched YA fairy forest. Except it's also roadkill season, so the smashed rats and opossums on the side of the road give it a little gory, edgy aspect. Again, much like a lot of recent YA. Sigh.
I am totally, happily mired in reading for the YALSA committee I'm on, Popular Paperbacks for Young Adults (go nominate your favorite! do it now! I'll wait!), and I can't in all conscience post reviews of books we're considering for the list - but I can take a break from teenage immigrants and rock stars from time to time in order to cleanse my palate with a new book.
Do you love Marcia Williams? I love Marcia Williams. Marcia Williams is a British illustrator and author. She writes large-format, intensively-illustrated adaptations of classical literature for kids.
Let me tell you how great this is: lots of little kids get into tales of adventure, and then their parents think to themselves, "Oh, I'll bet he would love Robin Hood!" Or King Arthur, or the story of Troy, etc. And then they ask the librarian - "I want him to read King Arthur." Whereupon the librarian is like, "Errr... you know that adultery and patricide play a big part in that story, right? Is he ready for The Sword in the Stone?"
FIFTY ARTISTS FIFTY! It's like a Ziegfeld chorus line up in this fine large-format comic anthology, except hairier. And less able to walk and sing at the same time. Probably really bad at doing anything in unison.
From "Hush Little Baby" by Mo Oh. I love her line and her delicate colors.
Fifty of your favorite comics artists have taken on 50 old-fashioned nursery rhymes, resulting in an anthology that is funny, strange, sweet, and surprising. Some of the artists, like Nick Bruel (Bad Kitty) and Marc Rosenthal (Phooey!), are familiar names in children’s publishing; others, like the talented Mo Oh (Lily Renee, Escape Artist, which is not a good example of her sweet and funny style) and Jen Wang (Koko Be Good), are relative newcomers.
The Rowan Tree Inn has sat placidly under its thatched roof at the center of a picturesque forest village for centuries. "Has sat." That hits me wrong. I don't think there's anything incorrect about it, but... I know I don't like it. "Has satten" sounds better, but "satten" is not even a word. All right, I'm going to leave it. This book's not worth fussing over.
When fourteen-year-old Maya moves into the Inn with her parents and older brother, she experiences that same kind of unease. Disturbing visions, eviscerated foxes, and sinister townspeople seem to conspire with scary nighttime noises to keep her thoroughly freaked out. Is she psychic? Is she imagining things?
Art and history intertwine in the story of Claribel and Etta Cone, two sisters from Baltimore whose intellectual openness and love of art–not to mention tidy personal fortunes–brought them into contact with many pioneering minds of the early 20th century. More than mere art patrons, the sisters forged decades-long friendships with Gertrude Stein and her brother Leo, Pablo Picasso, and especially Henri Matisse.
The collection of art that they amassed, which includes many masterpieces of Postimpressionism as well as works from Asia and Africa (now at the Baltimore Museum of Art), liberally illustrates the gracefully designed pages of this book. So too do the author’s colorful Matisse-inspired illustrations, most of which are based on archival photographs. The book is a pleasure not only to behold but to hold, too - prestige paper and meticulous attention to color honor the author, her subjects, and the art.
An art educator in Baltimore, Susan Fillion has obviously spent untold hours with the Cone Collection and with the voluminous correspondence and other papers of the sisters. She frequently describes a scene or situation from Claribel’s or Etta’s perspective, an effective and engaging device. In the hands of a writer less intimate with the sisters, this might feel false or presumptive, but Fillion keeps it simple and convincing. A beautiful and accessible gateway to a study of Postimpressionism, and a moving portrait of two extraordinary women.
Adapted from a review that originally appeared in School Library Journal.
Today's Nonfiction Monday Round-up is at Emu's Debuts.
Louise at thirteen is friendless and flat-chested. Bad luck and worse decisions have torn apart the cozy canyon life she shared with her parents, B-movie director Charlie Bat and starlet-turned-homemaker Brandy-Lynn, and now she lives in a courtyard condo down below the smog line. Instead of her tiny, hippie elementary school, she's attending a big public junior high where everything seems like a competition. And then, after one too many drunken arguments with Brandy-Lynn, her dad leaves.
Pink Smog: Becoming Weetzie Bat is the prequel toFrancesca Lia Block's popular Weetzie Bat stories - this is Weetzie before she becomes fully Weetzified: not yet blonde, only partially sparkly, showing barely a hint of the wistful siren to come. With some of the glitter swept away, the emphasis is on Louise's feelings and encounters, which have always been well-written, but can be overshadowed by the feathered, flowing, Mod Podge fabric of Weetzie's later life. Heartbroken, teased, neglected, and possibly hexed, Louise begins to learn about risks that are worth taking and people who are worth cherishing. She is a peaceful child who, when faced with cruelty and loss, develops into a young woman who is pliant but not wimpy, strong but not aggressive.
A fresh gem for Weetzie's fans, Pink Smog stands comfortably alone as well. It would serve as a Gateway to Francesca Lia Block (which is an arch a lot of us are happy to have passed through - Jezebel once called Weetzie Bat ""The Book for Girls Who Ended Up Taking a Gay Dude to Prom" - I myself took my best friend's much-older brother), and although marketed to grades 9 and up, this book could be wise comfort to a reader as young as 5th grade whose family has undergone sudden change.
A version of this review appeared in VOYA a few months ago.
Rules are for sissies. Yes, yes they are. Especially, I would say, in Young Adult fiction. All this hoo-ha and malarkey about people debating What is Young Adult lately - with so many grownups reading adventure fiction like The Hunger Games, why is one novel with a teen protagonist (let's just sayGoing Bovine) marketed to teens and why is another (call it Huge) marketed to adults - and as far as I'm concerned the fastest, funniest, most wrenching, most challenging stuff is YA and all the rest is non-age-specific genre fiction.
I have in the recent past poked (gentle) (I hope) fun at Jon Klassen's illustration style, saying that in the future, people will be able to pull a book illustrated by him off the shelf and say, "Oh yeah... 2011! Remember that, with the slightly spattery browny-gray inks and deadpan expressions? I Want My Hat Back! I loved that!"
Totally. I have worn that rich but drab palette for the past five years. I've wanted a skirt with his blocky animal figures on it ever since Cats' Night Out. His cover for The Incorrigible Children of Ashton Place almost made me want to read that book.
But now, reading Extra Yarn, we learn about his color, too. It's good color.
It's a Friday afternoon and my son, 8-year-old Zhou, is helping me review Zero the Hero. Joan Holub wrote this book, and Tom Lichtenheld did the drawings. Lichtenheld has been a Pink Me favorite ever since Shark vs. Train for his clear, happy colors, lovely layering, and strong, funky line. And Joan Holub's Goddess Girls books are getting a lot of play with my middle grade girl readers. She sent a stack of goddess bookmarks along with the ARC of this picture book, and they were snapped up in a jiffy.
Your Neighborhood Librarian: So, youngster. What do you like about this book?
Sometimes it is hard for me to respond to a book as a reviewer. Some books hook me just the same way a book would have hooked me when I was ten years old, and I am in, along for the ride, imagining myself sleeping in Anne Boleyn's bed at the Met, or confronting an evil horseman in a snowy lane in Wales.
I think that's why I do this.
And do you know how kids recommend books to each other? Have you heard them try? It's no use trying to teach them to sketch the main character and then set up the situation - they're going to either tell the entire plot in minute detail or they're going to reproduce a run of dialogue, bafflingly out of context and unintelligible due to their uncontrollable excitement.
Possibly they're going to try to relate the mood of the book to an experience they've had - my friend Rabbit, who is thirteen, does this all the time, and I love it. I can never follow his parallels: "You know how like you could be in the desert, but it's cold, except it doesn't look like it could be cold? This book is exactly like that," but I could listen to him all day.
Gr 3-6–Fans of Calvin and Hobbes will gravitate to this graphic-novel chapter book featuring an inventive kid and his talking dog.
Mal has typical social trouble at school, hiding his intelligence and struggling to make his feelings known to a cute girl while trying to avoid the class blowhard. His single mom doesn’t seem to be very supportive, sending him to bed without supper, threatening to ground him, and spanking him in the first three chapters, but these travails set him up as an underdog who will prevail in the end.
The Akkadians of Central Iraq, hungry for new lands to conquer, have set sail for the great cities of Sind, in what is now southern Pakistan. Prince Meluha and his teacher Chandrayaan are out hunting when the invaders launch their assault upon Meluha’s city, and so it becomes the handsome (and quite often shirtless - hell, everyone's shirtless in this thing!) prince’s responsibility to travel to the other Indus Valley cities and rally their rulers to stand together against the hostile armies of Akkadia.
There is a secret joy that librarians are allowed at holiday time. Although we are ardent in encouraging people to borrow, not buy, most of us... well, we're kind of into books. We can't help wanting to own them. And though librarians vary in the extent to which they successfully keep themselves out of bookstores - some don't even try - all bets are off when it comes to buying gifts for our family and friends.
I stopped in at WYPR's Maryland Morning to talk to host Tom Hall about this subject. I brought a great huge stack of books and asked Tom to pick out the ones he wanted to know more about. If you miss the broadcast, you can listen to our conversation on the Maryland Morning website by the end of the day. The station has also posted a list of the books I brought to the station, or click "Read more" to see an expanded version (book trailers! whee!).
It's Election Day here in Maryland - the midterm general election, not the primary, so there's not much hoopla. Oh, Maryland. Stay sweet. Anyway, the children are off school, and it's Tuesday, my day off, and it's a beautiful fall day, so I thought I'd catch up on what my boys have been reading.
They've both reached the point that they are reading for fun independently. And kind of a lot. It's great, but I have to say, a little scary. I bring stuff home from the library I think they'll like, and they read that stack in a weekend, and then start eyeing the review copies I get in the mail.
This is going to sound like a back-door brag, but I am legitimately worried that they're a little too erudite for their own good. Zhou, who is in grade 3, complained at a class book discussion a couple weeks ago that he thought the metaphor in the title of Jerry Spinelli's memoir Knots in My Yo-Yo String was insufficiently reiterated in the text. In almost those words. Right? That's an oy vey moment, for sure.
Kids who like the Little Lit titles (It Was a Dark and Silly Night..., Folklore and Fairy Tale Funnies) will cackle over this collection of familiar tales given an irreverent twist. Rapunzel thinks the prince's request to 'let down her hair' is 'really random'. Gepetto injures his hand trying to spank his robot son after the Blue Fairy grants the wish that makes Pinocchio a real boy. Red Riding Hood's Grandma runs a martial arts academy. Cinderella rejects the lovely blue ballgown provided by her fairy godmother - she was thinking more "Anne Hathaway at the Oscars".
At the SLJ Leadership Summit in Alexandria a few weeks ago, I saw a demo of the Pat the Bunny app again. Have you seen the trailer for that app? You watch. I'll wait.
That bunny is a total evangelist, right? That app actually does things that the book can't do, and that is a book that does things that most books can't do. Pat the Bunny is the app that turns arms-crossed, grumbly librarians into wide-eyed murmury librarians. Bobo Explores Light(reviewed earlier) does that too.
No, I mean it. You want to know what an iPad does, and why? Just hit the play button on that trailer for the new children's science app Bobo Explores Light up there.
The scientist in Simon wished there was time to study the animals he was seeing and catalogue all the quirks of nature and environment that had driven their strange evolution. A herd of spotted marsupials, almost impossible to see, moved in shifting camouflage as they chased the shadows of clouds. A small, horselike animal with gigantic ears that swiveled like saucers was the first to hear him coming, and when it took off across the plains its drumming hooves alerted dozens of lumbering, slow-moving tortoises who vanished into their shells, leaving a sudden rock bed. Mice-like rodents leaped dozens of feet into a stand of cactus, fleeing from birds that veered away from the unforgiving spikes at the last second. Simon watched in fascination as these dramas unfolded around him.
We went to Costa Rica last summer, and now I think I understand where Nadia Aguiar's prose comes from. The ruby-red birds and flowers, the emerald landscapes, the fruit that is sweet but complex. The dark jungle, the bright hillsides. Roseate spoonbills and strawberry frogs. Honest-to-god toucans. It's all astonishing, but it's real.
The miraculous island of Tamarind, where siblings Simon, Maya and Penny washed up after a shipwreck in The Lost Island of Tamarind, reads like that. Deep in the Bermuda Triangle, its startling beauty is murky or brilliant, misted with cloud or sunlit, lush, decadent, fragile... and likely to twist into violence at any moment.
I love my friends, and when I think of the friends I have, I realize what a fortunate person I am.
First: A few years ago, I got to chatting with a brilliant, funny author at the annual KidLitCon - Laurel Snyder. It turned out that in addition to sharing certain opinions, vices, and an inappropriate sense of humor, we share weird geographic coincidences: she grew up a couple blocks from where I live now, and in high school she moved to the neighborhood where I grew up. Her friends were the younger siblings of my friends. When she lived in freakin' Iowa, her downstairs neighbor was a woman I've been friends with since birth. We might actually be the same person.
So I can't review her book.
Next: Also a few years ago, we got a new librarian at work. Yes I know that's a weird construction, but that's how we say it. We got a new librarian. She had the same name as me! Then we found out that we both have a kid the same age, a kid who loved to read and went to a Baltimore City charter school; and we also discovered that we both read a lot of teen fiction, and have almost the same taste! In books, accessories, food, you name it. We might actually be the same person. On Pink Me, I call her Eerily Similar Paula, and she's helped me out before.
Today, she and her Eerily Similar Kid, Thespian Girl, have contributed a mother-daughter review of Laurel's new book, Bigger than a Bread Box.
ESP: How did you get your hands on an advance copy of Bigger Than a Bread Box, Thespian Girl? Okay, so me and Daddy were walking around at the ALA conference, and the lady at Random House said “Oh honey, I have a few books that you might like!” and I picked one up and started reading the back of it. Meanwhile, Daddy poked me in the ribcage and said “You have to get this book. Look at the dedication. It’s for Baltimore.” I said okay and I took it even though I didn’t really like the cover. I thought it might be a murder mystery or something about wizards.
ESP: What made you read it anyway? Well, it was on my shelf and you told me I needed to read the next day and not watch any “stupid TV shows”. I read the first page and I was like “huh.” Then I read the next page, and the next page and the next page….”
ESP: I remember you read a part out loud to me. You said “this author really is from Baltimore. I can tell because of the detail when she describes Rebecca’s row house.”
There weren’t doors or walls between the downstairs rooms of our row house. The flooring just changed colors every ten feet or so. You knew you were out of the kitchen/dining room when the fake brick linoleum stopped and the pale blue carpet started. Then you were out of the living room and into the front room when the blue carpet changed to brown. That was like a lot of row houses were in Baltimore, like tunnels.
ESP: Kind of like our house? Yes, quite!
ESP: So that made you keep reading? What’s it really about? Yes. And the book got better and better as it went on. I read it mostly in one day while you were at work. It’s about a twelve year-old girl named Rebecca. She lives in Baltimore with her mom and dad and her toddler brother Lew. Her mom and dad have been arguing a lot, and then her mom decides it’s time to “take a break.” She drives Rebecca and Lew all the way to Atlanta, Georgia to stay with their grandmother. She doesn’t bother to tell Rebecca that they’ll be staying for a long time and that she’ll have to go to school there too. During the first night her and her mom get into an argument. Rebecca misses her dad. She gets mad and runs upstairs to the attic, where she discovers a collection of bread boxes. She only knows that’s what they are because they say “bread” on them. While she’s poking around up there, she says she wishes she had a book. She starts opening the bread boxes. They’re all empty except for the last one, which, coincidentally, has an Agatha Christie book in it. She brings the box down to her room.
ESP: Does she know right away that it’s magic? No. She figures it out that night when she’s feeling homesick. She’s crying about all the things she misses about Baltimore. She says “I wish there were gulls” into her pillow, and then she hears a skreeeee noise coming from the breadbox. There are two seagulls inside!
ESP: So what does she wish for next? Is it a unicorn? No, and I don’t want to ruin the story. She can only get things that are real. And that fit inside the bread box.
ESP: So it’s a book about a magic bread box? Is that how you would describe it? Not just about a magic bread box. It’s about school drama, family, and how unfair it is when adults make decisions for you that you don’t like.
ESP: How did the book make you feel when you were reading it? I was excited and on edge! I couldn’t guess what was going to happen at all. She (Laurel Snyder) did a great job with the entire story. There wasn’t too much of anything or too little of anything. It was a perfect book. The ending is a good set up for a sequel, hint-hint!
Paula is a good friend and I want to thank her and Thespian Girl thoroughly for this thoughtful take on a terrific book. My only regret is that when either of them starts writing books herself, I won't be able to review them. Maybe I'll get Laurel to do it!
Here's some more help, from 12-year-old kid named Lily, who made this beautiful book trailer for Bigger than a Bread Box:
I swear, tween girls should be running this country. They are so smart!